“I think there is no suffering greater than what is caused by the doubts of those who want to believe. I know what torment this is, but I can only see it, in myself anyway, as the process by which faith is deepened. A faith that just accepts is a child's faith and all right for children, but eventually you have to grow religiously as every other way, though some never do.
What people don't realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross. It is much harder to believe than not to believe. If you fell you can't believe, you must at least do this: keep an open mind. Keep it open toward faith, keep wanting it, keep asking for it, and leave the rest to God. ”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“...the only thing that makes the Church endurable is that it is somehow the body of Christ and that on this we are fed. It seems to be a fact that you have to suffer as much from the Church as for it but if you believe in the divinity of Christ, you have to cherish the world at the same time that you struggle to endure it. ”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“Faith comes and goes. It rises and falls like the tides of an invisible ocean. If it is presumptuous to think that faith will stay with you forever, it is just as presumptuous to think that unbelief will.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn't write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. ”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“For me it is the virgin birth, the Incarnation, the resurrection which are the true laws of the flesh and the physical. Death, decay, destruction are the suspension of these laws. I am always astonished at the emphasis the Church puts on the body. It is not the soul she says that will rise but the body, glorified.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“When you leave a man alone with his Bible and the Holy Ghost inspires him, he's going to be a Catholic one way or another, even though he knows nothing about the visible church. His kind of Christianity may not be socially desirable, but will be real in the sight of God.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“Let me make no bones about it: I write from the standpoint of Christian orthodoxy. Nothing is more repulsive to me than the idea of myself setting up a little universe of my own choosing and propounding a little immoralistic message. I write with a solid belief in all the Christian dogmas.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“One of the awful things about writing when you are a Christian is that for you the ultimate reality is the Incarnation, the present reality is the Incarnation, and nobody believes in the Incarnation; that is, nobody in your audience. My audience are the people who think God is dead. At least these are the people I am conscious of writing for.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“I couldn't make any judgment on the Summa, except to say this: I read it for about twenty minutes every night before I go to bed. If my mother were to come in during this process and say, 'Turn off that light. It's late,' I with a lifted finger and broad bland beatific expression, would reply, 'On the contrary, I answer that the light, being eternal and limitless, cannot be turned off. Shut your eyes,' or some such thing.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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“The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it.”
― Flannery O'Connor, The Habit of Being: Letters of Flannery O'Connor
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